Wednesday, March 5, 2014

A flyer for an upcoming show


 
"City Girl" available at SVOS

A flyer for my upcoming show. I can never resist a new experience. Proved it recently -- I am in Indochina most of March, but took the opportunity. Sorry -- the flyer does not format properly on the blog. You get the idea.

Silicon Valley Open Studios Preview Exhibit at Ark Art Gallery

My work was selected for the SVOS preview exhibit during First Friday Art Walk. I will be showing both watermedia and torn magazine collage on canvas artworks.

 
       
“November Morning at Byington Winery”                       “City by the Bay”
Santa Crux Mountains                                             20” x 18” torn magazine collage on canvas
20” x 16” framed watercolor

 
April 4th - First Friday Art Reception from 6-9 pm
Join me at the art reception featuring food, live music, and a no-host bar.

April 5-6th - Gallery manned by artists open 11-4

If you can’t make the reception, drop by during the weekend.

Ark Art Gallery

1035 S. 6th Street

San Jose, CA 95112

 

The main event, Silicon Valley Open Studio, takes place the following month. I will be participating in Open Studios on May 10 and 11 in Mountain View.

 

 

 

 

Sunday, February 23, 2014

A San Francisco Charmer

 
"At Home on Potrero Hill "
14" x 11" Ink and Watercolor
 
 
Bob and I stayed at this home on Potrero Hill in San Francisco which we arranged through airbnb.com. The owner asked me to paint a sketch of the house. This was great fun. I worked from about 6 photos, none quite positioned like this. I used a dip pen with permanent ink and watercolor. It was a challenge to maintain a sketch approach. I settled on doing a vignette.  I sent three small sketches to the client, and did both a small and larger trial run before completing this piece. I also suggested mounting this 300 lb. paper on a backing, rather than matting, so I was careful to maintain a deckled edge, which you can't see in this photo.
 
Today I return to the city with a friend for an afternoon of ballet. This one is a day trip with lunch at Absinthe's, a grand old institution. 

Friday, February 21, 2014

The Friends Meeting House -- California's Oldest

"Friends Meeting House"
11" x 14" Ink and Watercolor on Paper
 
 
The SCVWS paintsites group met at this sweet little spot, tucked away on a quiet residential street in San Jose.  This small building is the oldest Friend's house in California, dating back into the 1800s. It was moved a couple hundred feet when 880 was built.  The day was sunny and warm, and we had a small, but productive group painting. I was delighted to see my host for the Croatian Art Retreat, Marion Podolski.
 
Because I am working on a commissioned ink and watercolor sketch, I wanted to experiment with the medium.  I would like my commission to be a bit more sketchy than this, which I am finding a challenge. Knowing I am doing it for a client makes me immediately more careful.

Friday, February 14, 2014

Magazine Collage of San Francisco

 
"City by the Bay"
14" x 18" magazine collage on canvas
 
 
Begun in November, the piece languished in my art room partially complete. Attic cleaning, travel, dancing, bike riding, and life, all took precedence. Finally a couple days ago, I propped it up on the easel, tossed the drop cloth on the floor, and made a mess.
 
From the late 80s until 2000, I had an old, but sturdy, boat at Pier 40. After Gary died, I realized I did not want to learn marine mechanicals, and turned it over to my partner. It did not have red sails to fly in the sunset, but "Elation" was our home away from home for a number of years. I love the city -- the chaos, the noise, the music, the fashions, the busy people, the bike riders, Market Street, the Transamerica Building, the Golden Gate Bridge, the museums, even touristy Fisherman's Wharf. I hope I captured some of that here.

Thursday, February 6, 2014

Room with a View: View from Potrero Hill

"Room with a View: View from Potrero Hill"
San Francisco, CA
5" x 9" Ink and watercolor sketch

Bob needed some flute repair by an expert and he wanted to take a couple Argentine Tango lessons at Metronome Dance Collective, in San Francisco. After searching for reasonable hotels in SF, of which there was none (I don't consider $300 to $400 a night reasonable, even for 4-star places), I decided to try Airbnb.com that we used in Venice Beach to rent a room or cottage from a private homeowner. We found a lovely spot on Potrero Hill, just a half mile walk from the studio. Take this link to the listing. We enjoyed the locale, the wonderful restaurants, Fran's hot tub, our private deck, and  many walks around the neighborhood. No gym needed here. Just walk those hills. We got their via Caltrain and hoofing it up the hills. We used public transit to get to Pacific Heights for the flute repair.


Intrepid cyclist descends 24% grade.



Oh, yes, it's steep.



Fabulous art in front of a home.


Views in all directions and the city center is a roll down the hill.


Breakfast is a treat at Plow Restaurant.


The Wednesday morning clientele enjoy breakfast at Plow.

There are many good restaurants on 18th Avenue, including Plow, described as Midwest farm boy meets Asian city girl. The owners both began chef careers at a top notch East Bay restaurant. A couple of kids later, they live on the Hill and opened this place where you can wait in line, especially on weekends. We lucked out and got two seats at the counter where we enjoyed watching the chef activity.

We also ate at Goat Hill Pizza, really full Italian, which my late husband and I frequented in the 90s while staying on our boat next to the Giants stadium that did not exist then. Chez Maman was a treat, and small Thinker Café on 20th street offered a lovely local experience for breakfast. We got a kick out of the kids ready for school and the city dogs patiently and quietly awaiting their owners. Coffee at Farley's on Monday evening had us tagged as locals -- maybe it was Bob's debonair hat and sport coat, or could it have been my leather jacket and scarf? The sweet little Christopher's Books is still there. This is city life at its best.


A visit to Christopher's Books is always a treat.



Welcome Home



Saturday, January 25, 2014

Room With a View: Sutter Creek

 
 
"Room with a View: Ye Old Church in Sutter Creek"
Ink and Watercolor
 
We took our first mini trip in the new year to Sutter Creek, in the foothills of the Sierras. It was gold country. Today all the mining is done of tourists. We were there for a performance by one of the premier Ragtime artists, Mimi Blais, from Montreal. She performed at a private home, Skunk Hollow Victorian Gardens, joined by Tamas Ittzes from Budapest, Hungary, a young violinist and pianist. They played a combination of Ragtime and classical music. Tamas runs the International Ragtime and Jazz Festival in Hungary, now in its 23rd year. Bob's sister Marilyn is a Ragtime pianist and student of Mimi's, and told us about last night's performance. The evening was outstanding. Today the performers headed to San Francisco to continue their tour.
 
We stayed in a simple Day's Inn, but Bob treated me to a delicious dinner at Hotel Sutter Restaurant and spent more for it than for the room! I have to admit that to paint my view from the room would have required a great deal of artistic license, so I chose to expand  my view to the tiny preserved church down the street. Bob took a few photos and I just referenced the camera shot. We had taken a nice walk around town yesterday afternoon.
 
This morning I walked about town for a bit of exercise on my own. I was fascinated by the old cemetery surrounding the small Catholic church. The gravestones tell such stories of the area. Many were from the second half of the 19th century. Some people lived long lives, but many died young. I was especially touched by a plot with a mother and two young children, one who lived one year and one day. The mother outlived both by decades. There were numerous stones for young children. Many of the families were Irish and proudly named their home country.


This morning we returned to the home where Chip gave us a tour of his collections of Lionel trains,  railroad lanterns, and old fashioned home radios in the large basement. The home itself is a real treasure, a huge Victorian set amidst beautiful gardens. Chip is assembling a reproduction of the Tehachupi Loop where a long train passes over itself to lessen the grade. He has done everything to scale. Bob and his sister are both train buffs, having come from a long line of railroad people in Chicago. I found the hour and a half we spent talking equally fascinating. One intriguing set was a Girl's Train made by Lionel in flashy pink. It didn't sell. I supposed if a girl really liked trains, as Marilyn does, she would want the same train that boys had. The failed set is quite the collector's item.

Our return trip included a stop off route in Ione, another cute town where Dave Brubeck's mother gave piano lessons. Note the music theme here? Life with Bob is filled with music. I love it!

Wednesday, January 22, 2014

Monday Morning Pastel Drawing and a Great Party

"Pitcher with Fruit"
12" x 14" Pastel
 
I was quite pleased as I worked on this that Bob  just gave me one little suggestion and moved on. He often will sit down and work a bit on a trouble spot to point us in the right direction. I think I learned a little more about rendering with last week's work with black on white on a single apple. Bob often takes us back to the basics. The tricky part is the transition areas between the core shadows and the areas receiving more direct light. Get it right and the subject will look three dimensional.
 
 
Green-yellow apple
Black conte
 
 
Red apple
Black conte
 
I attended the Santa Clara Valley Watercolor Society holiday party, which is always mid-January. This is an all volunteer effort and I can't say enough about how well they organized the event. Everyone is expected to help, so I joined the setup crew. 
 
SCVWS setup crew
 
The theme was "Breathing Plein Air." Hence the wonderful suns and clouds and the very creative center pieces. You see the beginning of the plein air display in the background. That includes paintings done plein air and many travel/plein air journals. I displayed two works from Croatia and one done with our paintsites group.
 
 
Centerpieces: Sit down and paint the beautiful California landscape!

 
 
We rent space, so bulletin boards needed some work. Friend and fellow critique group member Linda  did these wonderful paintings featuring artists  outdoors. The left one is a David Hockney-esque approach using an I-Pad. (Many of us have seen the terrific Hockney exhibit at the DeYoung in San Francisco.) The right one honored our 49ers. The area is used for a painting exchange, a voluntary activity.
 

 
Artists at work on the community painting.
 
Friend Brad organized the community painting and was most creative. One featured many fish to paint. The other was circular forms. These are auctioned off along with donated paintings and other items. Friend Valerie did an amazing job of raising $1100 on the raffle to benefit a local school for disadvantaged children.
 
I chatted with friend Myrna Wacknov who just received her signature membership in AWS! 

Friday, January 17, 2014

Plein Air at Neale's Hollow

 
"Winter's Glory"
10" x 13" Watercolor
 
Finally, I am back in the studio and doing art. Yesterday morning the Santa Clara Valley Watercolor Society Painsites group met at Neale's Hollow, a strip of "Wild West" retail establishments trimmed with scraps from old Victoria homes. Located in tony Saratoga, this small enclave of businesses had escaped my attention. One of the things I love about Paintsites is discovering new places in my locale. Our drought has not ended, so we had lovely sunshine with later day temperatures in the 70s.
 
I had intended to do an ink drawing and drop in color, but I left the ink at home. Plan two, do a small piece of part of one of the buildings. I wasn't happy with the results. I looked around and decided this stately old Sycamore made a fitting subject. Without rain to strip the trees bare, many still have fall foliage clinging to their branches.
 
I wasn't quite sure how to tackle the subject, but I jumped in, sketching the wonderful bones of the tree. I know that good design says never to place the subject in the center of the picture, but I felt the need to break that rule. I then laid in the shadow sides of trunk and branches with Cerulean Blue, Burnt Sienna, and Permanent Rose mixed on the paper. I added some of the dark textural markings using Burnt Sienna and Ultramarine Blue. Next I noted the colors of the leave clusters that were in shadow or light, and dabbed them in shades of orange and brown. Next, mixing color on the paper, I did the lower background, ignoring a fence.  Using the background evergreens and sky as my muse, I did negative painting around the clusters of leaves.  That dark green is Pthalo Blue and Burnt Sienna, and the sky is Cobalt Blue, perfect for our local sky.
 
I evaluated the painting, which really needed to be pulled together. The tree leaves were looking like patchwork and there were lots of little white spaces. I glazed over clusters of leaves and elimnated the white. I continued the texture to the center of interest and declared victory. At 1 pm we gathered for our bag lunches and show and tell. It was such a pleasure to enjoy the outdoors while painting.
 
 
 

Saturday, January 11, 2014

Croatian Inspiration


"Late Day Near Pitve"
Island of Hvar, Croatia
15" x 20" Watercolor

I've spent the last 8 days in my attic, cleaning out several decades of possessions and paper records. Finally, the true treasures are in labeled plastic bins, the paper is shredded, cardboard boxes went out with the recycle, and Goodwill is happily counting their proceeds for the donations. I closed the door on the attic and returned to my neglected art studio.

Thursday night my small art club got together at my home so I hastily pulled up one of my many photos from September's Artist Retreat on the island of Hvar in Croatia. I loved this view of the church with the golden sun catching the steeple and tinging some of the rocks, mountains, and foliage. The shapes attracted me and I emphasized them in the painting. I recalled our hike up into the Dubokovik vineyards to sketch before having a traditional Peka dinner cooked under a dome covered with hot embers. We had beautiful sea and mainland views.


Here we are headed back into the village. I look very focused on getting to the restaurant.



The Retreat is being offered again this year and it is truly a lovely experience. Marion and Zdravko are terrific hosts. Read our leader's description of the 2013 retreat and check out the 2014 brochure.



Thursday, January 2, 2014

Room with a View: Christmas 2013


"Room with a View: Downtown San Jose"
Christmas at the Fairmont Hotel
13" x 10" Watercolor


Because of the Big Sur.fire, we cancelled our plans for two nights at Big Sur Lodge and went downtown to upscale Fairmont Hotel. There are real bargains on the 24th and 25th. We had had Bob's family Christmas early and my sons live in Vermont, so we change it up for Christmas.

We arrived via bus and light rail, saving $42 in parking fees, and it took us about 45 minutes to get there. The afternoon was beautifully warn and sunny so we went to the San Jose Museum of Art, just past Downtown Ice, across the circle of palms from the hotel. Can you imagine skating outside in 70 degrees?


In front of San Jose Museum of Art
viewing Downtown Ice and the Fairmont Hotel

We had a beautiful Christmas Eve walking through Christmas in the Park. We were amazed at all the families that crowded the displays and partake of children's rides.



A very old tradition in San Jose
One of the animated displays at Christmas in the Park

We enjoyed choral singing at Trinity Lutheran Church. On Christmas morning, we had brought our gifts in luggage, so we enjoyed the Vermont celebration. We took in a movie and had dinner at a nice restaurant. The following morning, we returned home.

I created my painting at home from a photo Bob took at breakfast through the hotel window.






Happy New Year


"Classic Beauty"
14" x 12" Pastel
This piece was completed in the final Monday morning drawing class just before Christmas. I hope to kickstart the New Year with a day of doing art. Things have been mighty hectic -- all our own doing of course.
Wishing you and yours a great 2014. Egad, is it really 2014 already?!!

Thursday, December 12, 2013

Monday Morning Drawing: Turkish Treasures and Colandars


"Turkish Treasures"
14" x 12" Pastel
 
 
"Fall Cooking
14"" x 12" Pastel

Bob brought in this wonderful Turkish pitcher, the colendar, and fruit. This was something of a challenge to do. I had to put a few finishing touches on it at home with soft pastels. 

My Sennelier pastels arrived so I used them to finish "Fall Cooking" which I had started in the previous week's class. I won't be taking this 120 piece set of pastels to class because I have a tendency to fumble them and they land on the floor. That is never a happy experience. Bob tells me that I am turning out some nice pastels. I have finally learned that I do best if I use a dark pastel paper and immediately put in my background and the highlights. Then my values work better for me. One of my biggest challenges in pastels is getting enough chroma. I pick up what looks like the right color and it often lacks enough saturation strength. I'm learning, though.
 
We have had a cold streak here. I know that most of you live in colder areas than I and will have no sympathy! I would not either if I was in my native Vermont. I am debating my usual bike to gym and have talked myself out of it because it is 32 degrees. Below 32 I definitely drive the car, and its been in the twenties each morning when I leave the house before 6 a.m. We can get ice because the thermometer probably dipped lower.

Time to dig out the Christmas decorations as we have the Southbay Recorder Society, one of Bob's music groups, coming for their holiday party on Friday night. I get to be an audience and a host and look forward to enjoying the music.

Wednesday, December 11, 2013

Room with a View: Venice Beach

 
'Guesthouse"
Venice Beach watercolor sketch
 
 
"Guesthouse Fireplace"
Venice Beach watercolor sketch
 
I should really say view of the room. For my birthday, we flew to Los Angeles and stayed for two nights in Venice Beach. We had a lovely time taking in "Lion King" live in Hollywood, strolling the beach and canal areas, and doing a progressive restaurant tasting with a group. We rented a place off airbnb.com, where private folks list rooms and houses for rent. We had the loveliest place. The hosts are wonderful, non-intrusive, but helpful. They left me a birthday card, two bottles of wine, cheese, and crackers, and the place was well stocked with staple items and cosmetics. One day the owner invited me to sit in front of their outdoor fireplace while I painted these two little sketches. He went off on his bike while his wife was working from home. The Venice area is very interesting these days and enjoying a renaissance. I can highly recommend the accommodations!
 

 
 

The evening before going to LA, on my actual birthday, we enjoyed a Christmas party for IBM retirees, where we danced and had a lovely meal.


My Scotsman bought us a corsage and boutonniere.

Wednesday, November 27, 2013

Monday morning drawing class

"Fall Pears"
14" x 12" Pastel


The setup

Here is my Monday morning production. I really liked this still life. The lovely pottery vase was nicely complemented by the leaves and pears. I am always amazed that chalk can make a shiny object. With less than three hours to draw and paint this piece, instructor Bob Semans showed me how to quickly create the impression of leaves with simple strokes of the side of the pastel chalk. I like the texture and diffuse minor elements next to the carefully rendered vase and fruit. Unfortunately, I'm not a great photographer so colors and contrast are a bit off in spite of invoking Photoshop.You can see that our instructor is using a light box these days.

My pastels are generally NuPastel  Prismacolor which are rather hard sticks. The reason I chose them, as many in our class did, was because of price. Pastels can be very expensive. Sennelier can be $6.00 a stick! However, a couple years ago I saw that one of the online art suppliers had a modest set of Rembrandt soft pastels for a very reasonable price, so I bought them. I guess I wasn't experienced enough, because they did not work for me then, and I stored them away.

Monday I grabbed that box along with my NuPastels and mostly used the Rembrandt soft pastels. I found them amazingly easy to work with, which must mean I have developed more skill. Friend and accomplished pastelist, Judith, told me she loves Sennelier soft pastels, and  Dakota Art Pastels had a great deal on a box online. Now, we are still talking serious money, but I decided that this is my birthday present to me and ordered them. I triumph over another year of life on December 3, so let's celebrate!

Friday, November 22, 2013

French Sunflowers


"Tournesol"
12" x 9" Torn Magazine on Canvas

After completing my sunflower collage, which is quite large, I decided to do a couple small pieces. I will be participating in Silicon Valley Open Studios (SVOS) in May and would like to show  my watercolors and collages. I am thinking a few smaller pieces might appeal to people who don't have large walls for art. I am in the registration process so you will not yet find me on the SVOS website. Check back after the first of the year.

I chose a French theme for this one, inspired by a page from Wine Spectator magazine. I found that most of the magazine is printed on a natural, not glossy surface. I made a failed attempt to use one of the sheets with a wonderful Eiffel Tower on it. Back to my glossy papers I went. A few of the ads in the same magazine were printed on lovely glossy paper, so I chose one that featured "Cherry Noir." The word "Noir" is mostly under the sunflower petal. I included some French, some of which I wrote onto the black background, and some done on the computer.  I also drew my own Eiffel Tower using Sketchbook. I envision this Sunflower growing in a narrow space next to an old building near the tower.

After a good night's sleep, I decided to vary my edges more and added some papers and text. I added a few random pieces of a women's face under a veil. To the artist, it's a reminder of the hose worn by dancers I once had the pleasure of seeing perform at Moulin Rouge in Paris. To viewers, it's likely decorative.

You can find some fun pieces - sheep in the dark center of the sunflower? colorul graphics of buildings in the stem? the French word for sunflower, "Tournesol"? a cherry topped cocktail? "Paris"? I am now mulling over plans for my final piece of the trilogy (the collages are a three-part novel, not a tryptic painting).